On Whether Anyone Hears the Lonely Tree Fall

“Wolf’s Trees,” by J.D. McClatchy

If trees fall in a wood and no one hears them,
Do they exist except as a page of lines
That words of rapture or grief are written on?
They are lines too while alive, pointing away
From the primer of damped air and leafmold
That underlie, or would if certain of them
Were not melon or maize, solferino or smoke,
Colors into which a sunset will collapse
On a high branch of broken promises.
Or they nail the late summer’s shingles of noon
Back onto the horizon’s overlap, reflecting
An emptiness visible on leaves that come and go.

How does a life flash before one’s eyes
At the end? How is there time for so much time?
You pick up the book and hold it, knowing
Long since the failed romance, the strained
Marriage, the messenger, the mistake,
Knowing it all at once, as if looking through
A lighted dormer on the dark crest of a barn.
You know who is inside, and who has always been
At the other edge of the wood. She is waiting
For no one in particular. It could be you.
If you can discover which tree she has become,
You will know whether it has all been true.

                                                                                            for Wolf Kahn

Lingering Memories

What is Sacred, by Lee Herrick

I have no idea what priests
dream of on Christmas Eve, what prayer

a crippled dog might whine before the shotgun.
I have no more sense of what is sacred

than a monk might have, sweeping the temple
floor, slow gestures of honor to the left,

the right. Maybe the leaf of grass tells us
what is worthwhile. Maybe it tells us nothing.

Perhaps a sacred moment is a photograph
you look at over and over again, the one

of you and her, hands lightly clasped like you
did before prayer became necessary, the one

with the sinking cathedral in Mexico City rising up
behind you and a limping man frozen in time

to the right of you, the moment when she touched
your bare arm for the first time, her fingers

like cool flashes of heaven.

To the Weary and Stressed

“For One Who Is Exhausted, a Blessing” by John O’Donohue

When the rhythm of the heart becomes hectic,
Time takes on the strain until it breaks;
Then all the unattended stress falls in
On the mind like an endless, increasing weight.

The light in the mind becomes dim.
Things you could take in your stride before
Now become laborsome events of will.

Weariness invades your spirit.
Gravity begins falling inside you,
Dragging down every bone.

The tide you never valued has gone out.
And you are marooned on unsure ground.
Something within you has closed down;
And you cannot push yourself back to life.

You have been forced to enter empty time.
The desire that drove you has relinquished.
There is nothing else to do now but rest
And patiently learn to receive the self
You have forsaken in the race of days.

At first your thinking will darken
And sadness take over like listless weather.
The flow of unwept tears will frighten you.

You have traveled too fast over false ground;
Now your soul has come to take you back.

Take refuge in your senses, open up
To all the small miracles you rushed through.

Become inclined to watch the way of rain
When it falls slow and free.

Imitate the habit of twilight,
Taking time to open the well of color
That fostered the brightness of day.

Draw alongside the silence of stone
Until its calmness can claim you.
Be excessively gentle with yourself.

Stay clear of those vexed in spirit.
Learn to linger around someone of ease
Who feels they have all the time in the world.

Gradually, you will return to yourself,
Having learned a new respect for your heart
And the joy that dwells far within slow time.

On Love and Love Stories

“Stories About Love / Wedding Poem for Ada & Lucas,” by Jason Schneiderman

In one story, the lovers are two halves
split by jealous gods, and in another story,

the lovers are victims of a wicked baby
with a bow and arrow. In one story,

love means never touching, but exchanging
a lot of handkerchiefs, and in another story,

love means a drastic change in brain
chemistry that lasts a year, even though

the after effects are lifelong. In one story,
love is the north star guiding sailors,

and in one story love is a sharp blade,
a body of water, and a trophy all at once.

The truth is that love is nothing but itself,
an axiomatic property of humankind,

like storytelling and explanation giving,
which explains why everyone explains

love in stories, the way I once called it
a form of disappearing, and my favorite

philosopher called it a holiday. Listen,
storytelling animals: today, we say, love

is only love. Put down the crossbow, baby.
Put down the handkerchief, Lancelot.

Put away the easy chair, Babs. Let’s let love
be felt in its touch, and be known by its face.

Let’s let love speak Ada and Lucas,
and then let’s let love be silent.